Vogelman, exhibition assistant, in Philadelphia, and Lauren Young, curatorial assistant, in New York. ![]() 23, Woodmere Art Museum, 9201 Germantown Ave. 21), and the Rosenwald-Wolf Gallery at the University of the Arts will show his abstractions Oct. and Katherine Sachs Senior Curator of Contemporary Art, Philadelphia Museum of Art, and Scott Rothkopf, Senior Deputy Director and Nancy and Steve Crown Family Chief Curator, Whitney Museum of American Art, New York, with Sarah B. Arcadia University’s showing of architectural subjects opened in August (through Nov. ![]() The organizing curators are Carlos Basualdo, Keith L. You may feel all Johnsed out after seeing the Whitney Museum of American Art’s full-floor show, but don’t quit. This exhibition is co-organized by the Whitney Museum of American Art and the Philadelphia Museum of Art. Jasper Johns: Mind/Mirror, the two-museum, two-city retrospective of work by the 91-year-old artist many consider the greatest living American painter, closes on Sunday, Feb. A visit to one museum or the other will provide a vivid chronological survey a visit to both will offer an innovative and immersive exploration of the many phases, facets, and masterworks of Johns’s still-evolving career. Inspired by the artist’s long-standing fascination with mirroring and doubles, the two halves of the exhibition will act as reflections of one another, spotlighting themes, methods, and images that echo across the two venues. In an unprecedented collaboration, the Philadelphia Museum of Art and the Whitney will stage a retrospective of Johns’s career simultaneously across the two museums, featuring paintings, sculptures, drawings, and prints, many shown publicly for the first time. Over the past sixty-five years, he has produced a radical and varied body of work marked by constant reinvention. 1930) is arguably the most influential living American artist. Accompanying “mirroring” exhibitions held simultaneously at the Whitney Museum of American Art and the Philadelphia Museum of Art, this lavishly illustrated volume features a selection of rarely published works along with never-before-published archival content and is full of revelations that allow us to engage with and understand the artist’s rich and varied body of work in new and meaningful ways.“Jasper Johns (b. The various themes are further explored in a series of in-depth plate sections that combine prints, drawings, paintings, and sculptures to draw new connections in Johns’s vast output. These include Carroll Dunham on nightmares, Ruth Fine on monotypes and working proofs, Michio Hayashi on Japan, Terrance Hayes on flags, and Colm Toíbín on dreams, among many others. Inspired by the artist’s long-standing fascination with mirroring and doubles, this book provides an original and exciting perspective on Johns’s work and its continued relevance.Ī diverse group of curators, academics, artists, and writers offer a series of essays-including many paired texts-that consider aspects of the artist’s work such as recurring motifs, explorations of place, and use of a wide array of media. In his twenties, Johns created his now-canonical Flag (195455), which radically challenged the dominance of Abstract Expressionism by integrating abstraction and representation through its direct. ![]() Over the past 65 years, he has produced a radical and varied body of work marked by constant reinvention. Since the early 1950s, Jasper Johns (American, born 1930) has produced a radical and varied body of work distinguished by constant reinvention. Cumulatively, the shows are composed of more than 550 paintings, drawings, prints, and sculptures, as well as numerous photographs and personal objectslike Johns’s copy of Marcel Duchamp’s The Green Box (at the Whitney). 1930) is one of the most influential artists living today.
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